Poet, biographer, journalist

Sally Festing has been called ‘a feet off the ground writer … she confuses perspectives brilliantly and entertainingly’ (UA Fanthorpe). Journalism, radio plays, academic studies, Penguin biographies of Gertrude Jekyll, Barbara Hepworth and varied non-fiction books have fed into six books of poetry. Her poetry has won prizes and featured in more than 40 different magazines, in print and online:

Acumen, Agenda, Ambit, Assent, Critical Quarterly, Coffee House, Dream Catcher, Envoi, Equinox, Fenland Poetry Journal, Frogmore, Ink Sweat and Tears, Interpreter's House, Iota, London Grip, Links, LUPO, Magma, MaryEvans website. New Welsh Review, The North, Obsessed with Pipework, Orbis, Outposts, The New Statesman, The Poets’ Republic, Poetry Nottingham, Poetry Review, Seam, The Shop, Smith's Knoll, SMOKE, Snakeskin, The Spectator, Stand, Staple, The Times, Under the Radar, The Wolf, Wild Court, Wordplay, “14”.

Sally’s seventh collection, a third full one, is coming out in Spring 2025. Meeting Places (Mica Press), is based in North Norfolk.

Paul Muldoon has chosen Sally’s poem, The Swim as a winner in the Open category in the Guernsey International Poetry Competition 2024.

Recently Featured Work

‘Julian’: a poem by Sally Festing

Image by Andrew Martin from Pixabay

Julian, 

there’s a lost language between us.                             
I can’t walk through it but like a cloud it stays in my mind,
circling round the differences that make me sad.                               
Here, I am almost nothing among tousled hedges
on the sea’s edge, the calming marshes, the rawness
where I come to save myself.             
I’m an early riser and early sleeper
aligned to the sun and moon – I watch the mornings
when light falls unsparing. Once, my fine grown grandson,            
I dragged you out of bed with my fingernails the way
the cat grabs a teenage bunny from its burrow in the grip of its teeth,
  

a small violence the shock of which touched every part of you.
It strips my skin to think how you hunched like a target     
and cried with your lungs and guts out of your own short past, 
and wanted a parental hand to hold you firm.
Life was precarious
when there should have been small moments
you and I could fold carefully away.
Instead there’s silence like an empty plate, or a parched pond,
and the house takes on a sense of absence. Sometimes
there’s a lot of solitude in a grey head, although I like
to be in this peacefulness and hope you can learn
to love this place, its emergence out of the earth, to brace
the waves and walk in inhospitable winds.
You fly to hot haunts with heated swimming pools.
Here you’re restless, and I feel your restlessness.
    How can I find words we both understand?


Published in Wild Court

World is What You Touch

We no longer hold hands
because you use a walking-stick to stand.
Instead we slip together afternoons, stretch
across the double-bed we can’t use nights
now you’re so restless –
I lie fingers on your arm,
toes against your skinny tibia
and it’s enough through seaweed feet
to slither deep, not to sleep
but into another world.

My skin is listening to a familiar haunting,
little songs tuned to my body,
a pulse of openings and closings
anchored where oceans form and dissolve,
scatter and gather,
changing as they remain the same.
I peer at the elemental
extraordinariness of lying there, chilly-boned,
a flame passing through
to do with all I breathe and am. 


This is the fifth poem Sally has had in the Spectator (May 2023).